The HS50M's tell you the absolute truht about your song, if you recorded the signal to loud or to low, if your bass is to loud and distorted. Thirty years later, the Yamaha HS series speakers/monitors continue the tradition with the HS50M. When I listen to my music library for leisure, I listen with these monitors. Ok, so we all now the NS10m's infamous reputation. Sweetwater Sound i own genelec 1030a`s tannoy ams12 and krk v8`s and yamaha ns-10`s and thease new Yamaha HS50M monitos blow away all of them you can mix for longer periods and not get tired and they are as true and flat as they get in the industry i also hear things in my mixes now that i never did before plus they do not compress or color your sound just buy them a.s.a.p if you want to improve your mixes 5 stars for sure, was in the market for a new set of near-fields and chose these over the Mackie HR624s. I could see someone going for the HS80M, or adding the sub-woofer if they need to feel the boom. That's seven surround speakers with one subwoofer and two u… 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 (800) 222-4700 Talk to an expert! Please refresh the page and try again. I could not be happier. Each end of the soundbar has a two-inch, front-firing cone woofer. Read user reviews for Yamaha HS50M Active Studio Monitor (70 Watts, 1x5") and see over 325,000 product reviews at zZounds.com. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. I was in the market for monitors, and was trying to decide between the M-Audio BX5as and the KRK Rokit 5s. So If your working on your own project and you want it to rival, the "Adele's & The Bruno Mar's & The Katy Perry's and so on, you better...better get these monitors! Yamaha's HS series comprises the HS5 and the HS7, and either model can be used alone or teamed with the HS8S subwoofer. So I can't compare them much to anything but the ones I heard at the shop and another brand my friend bought in the same price range. The new HS Series powered monitors were designed to be true studio reference monitors in the tradition of the famous NS10Ms. A Sweetwater Sales Engineer will get back to you shortly. Well, I reviewed the Adams A7x, KRK Rockit 5, and Mackie HR824. Happy customers, one piece of gear at a time! You almost forget you're listening to $400 monitors when mixing with these. So it is very subjective. I just received my new pair of Yamaha HS50M's and have to say they sound amazing. Visit our corporate site. The HS50M was best suitable for me due to room size and budget. the sound is so real ; you can actually hear the singer or the band in front of you with any adujtments' ; so clear and warm.... the price is ridicules for such a wondefull product! Exclusive deals, delivered straight to your inbox. The tweeters are also very sweet sounding and never tiring. If you know how your monitors sound compared to everything else, (and if you truely are an engineer...) then you can mix on any of these. Best bang for the buck don't hesitate! The high/mids are impressive and definately crystal clear (sometimes harsh, much like NS10s), the bass is improved and not a flabby nonexistent region (like NS10s), and the stereo imaging is comparable. I would suggest him to try switching his left speaker with his right one to see if it also rattles. Yamaha’s new HS5 active monitor, on the other hand, sounds sensational in that setting. But in the $400/pair price range, something has to give as designers make their trade off decisions. Doing a reference test, I found that these monitors are pretty freakin' good at giving you a flat response if you use all those cuts and boost switches in the back just right. What more can I say? great monitors! (They were a couple dB higher with the 10KHz tone, even with the 2dB high cut engaged.). I heard some good reviews about them and wondered if they'd measure up to the NS10's ........................Boy! That means that mixes that sound good on Yamaha HS speakers will sound good on anything. Beyond that, they sound great, they're built to last, and in combination with the HS10W sub, they pack a serious punch. Very Flat Indeed. They are available to offer you personalized product advice any time you need it. Great to mix and/or master your projects. I have to set the volume low in order to do that. The new HS50M reference monitors were designed to give you exceptionally flat response so you can really trust what you hear. Overall power is 70 Watts per speaker (45 Watts LF and 25 Watts HF), and with a choice of TRS and XLR inputs and a centre-notched input sensitivity, set up should be easy. These things look like toys but sound like $1000 near-fields. I find a subwoofer to be an essential addition to these, but that is usually the case with 5-inch drivers. The Yamaha HS50M studio monitors are a product of Yamaha, a widely-known company which manufactures the best quality musical instruments and speakers which offer state-of-the-art sound quality at affordable prices. They will not give you an enhanced bass "thump" that covers up the mids. Second, you mix and master with the volume low, this allows you to hear everything, I bought these monitors at the recommendation of my sweetwater rep. Brian Vandekeer. However, there are a few caveats. But if the right(!) Very good monitors and you can tune 'em to your room a bit! I prefer them more when mixing pop, electronica and rock stuff because they don't give you a rich 3D presentation of the mix (yes I like that!) If you mix well on these you will have a good mix on almost any stereo or car. https://www.sweetwater.com/store/detail/HS50M--yamaha-hs50m/reviews Fisrt by not using a smaller nearfeld monitor to mix my songs with, second by not listening to Brian in the first place. There's also phase reverse, and an additional sub split for an extra sub. Sure these aren't Genelacs but they get the job done for your small time Project Studio. I can see why so many people use these to master their home projects. These studio monitors are designed for providing a rich and defined sound at a varied range of wavelengths. I bought the Yamaha HS50M about six months ago. My wife heard the HS50 and said they were way better. cone and 3/4-in. The new… If you find a good middle, then you are set. With a frequency response of 54Hz – 30kHz, both the high and low end is covered well. They are that good! Since I do orchestral mock-ups and desire a natural sound, these suit me fine. The new… Highly recommend. Yamaha HS-80 is a not expensive pair of studio monitors, so it can help a lot when mixing and sculpting the sound. Like the Event S100, the sub is downward facing, but with a forward reflex port and 140 Watts to play with it delivers more punch. I hear so many things unlike before. BELIEVE IT! That means that mixes that sound good on Yamaha HS50M speakers will sound good on anything. He should contact Yamaha to get it serviced under waranty. If you are used to listening to any kind of compress codec (MP3s, etc. These monitors are one of the best alternatives to the legendary NS-10's. For accurate mixes that translate across every media. Great sound all the way across the spectrum. Of course, you'll need another full range set of speakers or good headphones to check sub frequencies because these speakers lack in this area. The mixes I've done on he HS50M's translate well on other systems (ranging from home and car stereo systems to large auditoriums). My only critism would be that acustic piano (and sometimes vocal)recordings sound bright and thin on HS50s. Of the arrays, 12 are used as ‘height’ channels – six upward-firing drivers on each side bounce sound off the ceiling at just the right angle to make it sound like the sound is coming from above. Don't let the size fool you...these things can crank out some sound. MusicRadar is part of Future plc, an international media group and leading digital publisher. There was a problem. I picked up a pair of these the other day and am quite pleased with what I've heard. I just recently (as in yesterday) bought a pair of Yamaha HS50M monitors. Yamaha HS50M 5" Monitor Speaker New School Audio | Join the Audio Revolution Yamaha HS50M Studio Monitors Hands on Review. Don't miss the latest deals, news, reviews, features and tutorials. It has been a great addition to my small home setup since. I mean the clarity. Haven't done any final mix's to take out in the wild yet, but I think these will really help to give me the sound I expect. Yamaha HS50M 5" Monitor Speaker New School Audio | Join the Audio Revolution Yamaha HS50M Studio Monitors Hands on Review. So, when I first heard these monitors, I thought, "Where's the bass?". Overall, These speakers sound PHENOMENAL for the price. Funny because Yamaha sells them as single speakers so there is no right or left one. This website uses cookies to improve your experience. I had a chance to hear HS80Ms as well. © While they have a similar look to the NS-10Ms, the sound quality is a bit different, even if it is somewhat comparable. The HS50M reproduces surprisingly tight low end and smooth, high frequency response to beyond 20 kHz. But over all, I hear exactly what I expect on my reference tracks. For starters, you are not going to find a pair of monitors that sound better than these in this price range. Overview. These things have amazing stereo imaging. Yamaha HS50M 5" Monitor Speaker =>> VIEW MORE IMAGES <<= Detail Yamaha HS50M 5" Monitor Speaker If Your Mixes Sound Good on These, They Sound Good on Anything. When I began asking other composers and engineers I work with for advice on great but affordable reference monitors, the Yamaha HS50M was the one set that everyone mentioned. KRK have been sold to put money into another pair. They aren't that great for mixing because they have a weak low end and a bright top end, as well as a bright midrange. I would however recommend also getting the sub if you plan on getting a pair of these as they don't have all the low-end you may need. Best in its Price range. In fact, that's the ultimate test of a reference monitor. Thing is, you have to break them in for a while to notice. Amazingly bass low end for its size. speaker continues to rattle when connected to the left channel, it means that speaker needs to be checked carefully. The SRT-1500 is the largest of Yamaha’s two soundbases, offering a step up in size and spec from the great value SRT-700.As such, it’s designed for bigger TVs (up to 40kg) and larger living rooms. As everyone always says, the Yamahas allow you to hear everything well in a mix, due to a mostly flat response. Bath great monitors with very low fatigue while mixing/mastering. Used in conjunction with a good, quiet board (mackie, here) these provide a nice clean, flat sound that allows production of a very high quality. After checking mixes as my uncle's place on a pair of NS-10's, I knew I needed the same. For most situations, you can get away with not adding a subwoofer to your setup. All rights reserved. In my studio Yamaha is third pair of monitoring and they have role to give me some points where I have to look out in the mix. That isn't too amusing but other than that these puppies are great. After using my Genelecs1032's for quite some time, I notice these Yamaha's can do the job as well. After listen to my CD througo the Yamaha HS50M's I wanted to cry, because I could hear how bad my CD had been mixed & mastered! Get a pair! When mixing audio for films, I check all of my levels on these monitors. In the space of a couple of minutes, the sound quality from the SR-B20A blew the old system out of … I would echo the rest here.They are truly awesome monitors.I am blown away by how sweet and transparent these babies are,and will be ordering three more and the sub for surround mixing.Man!I think I will be getting a pair of the HS80's as well...outstanding job,Yamaha!!! I record and mix mostly acoustic stuff, so transparency is of the utmost importance to me. Let’s check out in more detail what the HS7 brings to the table. If your serious about getting good mixes, get these reference monitors. While I enjoy my Audix monitors, I have to admit that I prefer the sound of the HS7. Get 'em' then, thank me later. Of course the high end $1000 plus monitors sounded great, but when it came to the ones in my modest budget, the HS50M's were hands down the best sounding. Get a pair, I should have done that loooong time ago! Overall a great monitor for home studios and it will certainly get you by until you can afford something that is top-of-the-line. At low volumes both pairs still sounds good. Sound fresh, and really do deliver a different sound than regular speakers. When composing, I check everything on these monitors. Yamaha does it again !!!! I Purchased These Monitor's Because Of The Ole Tales Of "If Your Mix Sound's Good Coming Outta NS-10's Then It Will Sound Good Anywhere"....Maybe My Qoute Is Off, But I Could Never Purchase A Real Pair. Yamaha HS50M 5″ Monitors| Jace H. In the tradition of Yamaha’s popular NS10M studio monitors, the… Yamaha HS50M 5" Monitor Speaker If Your Mixes Sound Good on These, They Sound Good on Anything. Each woofer terminates at the bass port on its end of the soundbar. Surprisingly, this is limited to the five-inch HS50M (on review here) and the HS80M, a much larger eight-inch design. Even better than that, HS series speakers not only sound good, they look great, too. Thank you for your request. The Yamaha HS50M Active Studio Monitor features 70 Watts of power, a 5-inch cone and a .75-inch dome tweeter, housed in a bass reflex-type cabinet. These are the first real monitors I've used. I find them extremelly usefull to clear mids, to eq bass and kick and make them work together nicely and to give a nice vibe to the whole mix. Since I was new in this field - I went for reviews from experts and finally bought this HS50M. If you have limited space or a tight budget, you will find these monitors a perfect solution. Combined with the HS10W sub, the HS50M bundle lists at £587, and is therefore the most expensive set in this review. Sorry to whoever says they are the opposite of NS10s, I totally disagree. You will always need to do your home work if you want to adjust your reference monitors to your room. They are great for getting professional sounding mixes at a reasonable price. Now I wonder why did I ever think I could mix with a pair of headphones?? The clarity is breathtaking and the mids are perfectly balanced. The only complaint I have is when not listening to a Mix you can get a nasty little hissy/feedback sound. I mixed on NS-10Ms for years. Yamaha's famous white cones have recently made a comeback in the form of the all-new HS series. I had to lear the hard way. Problem is, most nearfields sound mediocre when placed where they ergonomically belong, on workstation or console shelves. There's a familiar up-front nature to this set-up, with the illuminated Yamaha logos a constant reminder of their heritage. The sound is clean, clear, focused, very far forward, with a feeling of lots of headroom. The timber of the bass instruments are so real there is nothing to touch them in Hi-Fi or pro-audio market in this respect. Maybe they used the HS50Ms. Alas there's no footswitch bypass, and (being an eight-inch) it's not as weighty as the M-Audio sub. Also, if you want them to produce a ns10-like "honk sound", set … These monitors like any others, can make your mix a little bass-heavy, depending on your setup. User review from yoTrakkz about Yamaha HS50M : great flat sound In today's review, I shall however be focusing only on the Yamaha HS50M Powered Studio Monitors. And it lists for only $250 each. Although, my main occupation is mastering, I need a set of speakers mostly to focus in the mid-range area while doing mixing. Get Directions | Before we get to how clear, accurate and loud the soundbar is, let’s see what it’s working with. I actually prefer them to anything I've heard under $500 and for my taste, like them better than the new-standard HR824s which always sound boomy to me. I just bought a pair of these little babies. New ground can only be broken once, of course, and ever since Yamaha served up the first soundbar designed to mimic a complete 5.1 surround-sound system the market has expanded in … I say alternative because in reality, they do not sound a thing like NS-10's--active/passive, ported/non-ported, cone size, and enclosure material/size. The 70-watt HS50M (5-in. Sound Quality. I’ve had the Yamaha SR-B20A set up in the kids’ rumpus room with a 75″ Samsung TV, which for years has had another split-system soundbar attached to it. I've been using NS10 ,Genelec 1030, Genelec 8050 in studio for years with KRK rp5 at home for programming and listening. I find these to be true. Buying guide for best yamaha soundbars Key soundbar features Yamaha soundbar prices Tips FAQ Buying guide for best yamaha soundbars TV audio has always posed a conundrum for users: we spend hundreds, sometimes thousands of dollars on cutting-edge 4K TVs, but the sound quality almost always sounds like an FM radio at best. Originally, I was going to write a review to hate on these monitors. Now is the perfect time to get the gear you want with simple, promotional financing. Read on and decide if these actively powered speakers sound like something that you might be auditioning the next time that you are in the market for a pair of studio monitors. I will say that these monitors are PHENOMENAL. Alot of the other brands tend to sound muddy and sometimes boomy but these speakers are crystal clear. While essentially the same in size as the YAS-107 — Yamaha's previous low-cost model — the 35 x 5.1 x 2.1-inch YAS-108 updates its look a bit, opting for rounded edges. But they are also more expensive. Really like the advertising says, "If your mix sounds good on those, it will sound god anywhere". The SW10W is both the most expensive sub here, and the most compact. Yes, I screwed up. First off, they are monitors, just like every other monitor in this price range. highly recommended for small home studio setups; great bass response, great looks, VERY tough! My first CD was recorded, mixed & mastered using big Event Asp8's...Wrong! great buy. I've been using a pair since August 2006. England and Wales company registration number 2008885. but again you need reference speakers or high quality headphones for further but minor adjustments. Everything you love about Sweetwater in the palm of your hand. I had HS-50 before but I replaced them with HS-80. First of all, you mix and master with small "5-inch monitors..Period! The mix jumps out at you. These are Reference monitors---not what some of you might call "mains." I've had these monitors for about 3 years or so now, so I've had quite a bit of time with these. At Yamaha Musician, we tested Yamaha's HS50M speakers. Future Publishing Limited Quay House, The Ambury, There is way more bottom end than I would have thought for a five inch woofer. They are great to use as a secondary set of monitors, given their response, and their compact size. They also aren't just your beginners monitor. Bass intruments also sound very tunefull. I A/B tested these to Event ALP5s, the KRK series, some Adams and some M-Audio and the Yamahas blew the competion away. So I picked up the HS50 to demo them , but made the mistake of putting them in the living room first. My wife wanted music in the living room so I moved the KRKs there. I love these speakers for the purpose I bought them, which is recording soundtrack music and programming synthesizers. 70 Watts per speaker. As soon as I added these to my studio I was able to get sound results like never before. I promise you, if your like me and your working on your CD and you want it to have that "Michael Jackson, Quincy Jones, Adele & Katy Perry" Sound in terms of the mix and the proper levels,You gotta get these moititors. Nevertheless, I have not found anything in this price range that I think is any better than the HS50m. If it does it means there is something wrong elsewhere in the signal chain. For starters, I've worked on NS-10s and, as many have said, these do not sound a whole lot like NS-10s. A quick look around the back of the HS50 reveals lots of settings options, including a 2dB cut-and-boost at the critical 2kHz frequency. The clarity and stereo imaging is incredible. After hooking them and firing them up first thing I noticed was the tunefulness of its bass instruments reproduction. I'm able to work on the professional level because I have the equipment to hear the flaws and balance issues in my work and fix them thanks to the equipment like this. My God, this man knows his stuff! Thanks sweetwater for suggestion I get these! But they are also very revealing so only the best recorded meterials will sound great on them. They provide a good stereo image and their highs are good enough to avoid any harshness but to keep the air in your mix. obviously, these are powered monitors, and they pump out 70w of power. Having a baddly mixed song is like having a nice slice of chocolate cake, with a warm, spolied glass of milk....yUk! They are solid all-around monitors for any type of post-production work. Even so, the overall combo is our favourite so far, and if the up-front sound becomes too much, you've got tweaking options aplenty. It was very easy to eq my instruments/vocals and get the sound I wanted. Their a great replacement for the NS-10's. Read the description carefully, folks. I will enjoy these for a long time. After listening to both sets in the store, and reading online reviews, I decided to go with the KRKs. The HS50M provides a nearly perfect reference for how a mix will sound on small consumer-playback systems and is a veritable bargain at $249.95 MSRP (sold singly). The monitors are all around great. The sound is the best I've ever heard from monitors. Why I chose these monitors was because of all the fun switches and knobs on the back. I usually discourage the use of subwoofers in smaller studios as the extended bass end can exacerbate the acoustic problems that are prevalent in small, untreated rooms. The Yamaha HS7 offers impressive sound quality. It was very hard to decide between these and competitive offerings from KRK and Event which I've also used in video postproduction settings, but the HS50M speakers slightly edged out the competition in the categories of price, performance, and aesthetics. When I was read to graduate from bookshelf speakers to studio monitors, I spent 2 hours at a store comparing EVERY monitor they had. Nice that they are powered. The HS50M is a 70W bi-amp 2-way powered near-field flat frequency response speaker/monitor (55Hz-20kHz) that's designed for keyboards and studios. ;) In -2 you get a more hi-fi sound, flatter in response. there monitors rock ... i've been after a decent pair of fair priced actives for a while ,i a-b'd them against the tannoys / mackie and gelelec and these are the kiddies for thye price ...chrysal tops and subtle bass gave them the edge ...well done yamaha !! I love my pair. The Yamahas are Great for use as a studio monitor. Why? the prefect monitor! Around the back there are plenty of options, including adjustable low-pass for the sub and corresponding low-cut for the pass-through satellite connections. Their bass reproduction even go deeper and they have a bigger sound. I would venture to say that these might be an improvement over the NS10s, as the dynamic range "seems" much wider. I A - B'd them against a few other monitors in this price range and they absolutely did not sound as good as the others because they are designed to give a flat response. I will probably pick up the sub to go along with these speakers to enhance the bottom end, but for the money these speakers really rock! BA1 1UA. While they don't quite sound like an original Yamaha ns10, HOWEVER, what the hs50m does is very similar. You will receive a verification email shortly. And by then, yeah, try returning them for replacement, good luck. Store Hours, If you have any questions, please call us at (800) 222-4700. With the new HS series, Yamaha certainly has winners on their hands. Yamaha HS50M 5″ Monitors| Jace H. In the tradition of Yamaha’s popular NS10M studio monitors, the… Yamaha HS50M 5" Monitor Speaker If Your Mixes Sound Good on These, They Sound Good on Anything. I use these monitors in my recording studio daily as often as possible. Thank you for signing up to Musicradar. I will use them to mix my music, but recognising its quality I have decided to use them as my main music listening monitors. To learn more about our cookie policy, please visit our Privacy Policy. Here are the details: Sound Quality: Some people will complain that these speakers are thin and ear fatiguing. I've been owning the HS-50's for about roughly 3 years now and I trust these as the last step in my mixing/listening stage. They can be a bit harsh but its not too bad. I've owned the HS50M's for a couple years now and couldn't be happier with them. Tweaking options aplenty. However, there are many factors that accentuate their "apparent" frequency response (position in the room, height, etc.) Surprisingly, this is limited to the five-inch HS50M (on review here) and the HS80M, a … The funny thing is that you can hear immediately how bad recorded and mixed are some commercial CDs and why good mixing engineers have a positive reputation. I didn't know a whole lot about mixing and mastering and am used to hearing stuff on my Ultrasone headphones (which I still love!).